Macbeth 4
Scene 1
Do it come on
Bu...
No but's we must
I can't they'll kill me if they find out
But they wont just follow the plan
I can't
You can't or you wont
A bit of both
Come on we have got to do this or this planning was for nothing
I know but I can't
If your not going to do it for me then do it for your brother
forget it this is going to go wrong and when it does me and my brother are both going to be killed
come on just do it
listen you're my wife and that is not going to change remember you are not aloud to speak back to me!
fine! call the police but your brother is going to be executed then so what's it going to be all of us dying or none of us which one!
Scene 2 part 1
WAHOOOOOOOOOOO
shut up we're not out of here yet
oh come on don't be such a party pooper a least let me have my fun I've been stuck in that prison for a long time
you were in there for two days I don't see how that's a long time
just shut up!!!!
fine!
the horse and cart speeds off into countryside
Scene 2 part 2
There is a abandoned house up ahead you go there I have to get back to the wife
no problem... hey thanks
see ya
he rides back to his wife
Honey I'm home
hey I'm glad you are back
I need to talk to you
He grabs a knife from his back pocket
their is something I need to tell you
what?
DONT TALK BACK TO ME!
He stabs her with the knife
you see I can do this leagily because of you!
Scene 3
wait... no, no, no what have I done what have I done. I've got to turn myself in I've got to. This can't be happening I must be dreaming any moment now I'm going to wake up and everything will be back to normal.Come on Come on Come on wake up. Why.
Thursday, 25 May 2017
Thursday, 18 May 2017
Macbeth 3
Scene 1
Wife: Do it come on
Stephen: Bu...
Wife: No but, we must
Stephen: I can't, they'll kill me if they find out
Wife: But they wont just follow the plan
Stephen: I can't
Wife: You can't, or you wont
Stephen: A bit of both
Wife: Come on we have got to do this or this planning was for nothing
Stephen: I know but, I can't
Wife: If your not going to do it for me then do it for your brother
Stephen: forget it this is going to go wrong and when it does me and my brother are both going to be killed
Wife: come on just do it
Stephen: listen you're my wife and that is not going to change remember you are not aloud to speak back to me!
Wife; fine!... Tell the police but your brother is going to be executed then so what's it going to be all of us dying or one of us, which one!
Scene 2
Narrator: heading towards the prison cell were Stephen's brother lies.
Stephen: hey
Robert(Stephen's brother): hey i'm so glad to see you, wait why are you here.
Stephen to say that you were the worst brother ever and i'm glad you are going to be executed so goodbye.
Scene 1
Wife: Do it come on
Stephen: Bu...
Wife: No but, we must
Stephen: I can't, they'll kill me if they find out
Wife: But they wont just follow the plan
Stephen: I can't
Wife: You can't, or you wont
Stephen: A bit of both
Wife: Come on we have got to do this or this planning was for nothing
Stephen: I know but, I can't
Wife: If your not going to do it for me then do it for your brother
Stephen: forget it this is going to go wrong and when it does me and my brother are both going to be killed
Wife: come on just do it
Stephen: listen you're my wife and that is not going to change remember you are not aloud to speak back to me!
Wife; fine!... Tell the police but your brother is going to be executed then so what's it going to be all of us dying or one of us, which one!
Scene 2
Narrator: heading towards the prison cell were Stephen's brother lies.
Stephen: hey
Robert(Stephen's brother): hey i'm so glad to see you, wait why are you here.
Stephen to say that you were the worst brother ever and i'm glad you are going to be executed so goodbye.
Thursday, 12 January 2017
Drama Home Work
Carl Theodor Dreyer
Life
Dreyer was born in Copenhagen, Denmark. His birth mother was an unmarried maid named Josefine Nilsson, and he was put up for adoption by his birth father, Jens Torp, a married farmer living in Sweden. The first 2 years in his life he lived in orphanages until his adoption by a typographer named Carl Theodor Dreyer, and his wife, Inger Marie (née Olsen). He was named after his adoptive father, but in the Danish language there is no "Senior" or "Junior" added to names to distinguish them from each other.
Career
As a young man, Dreyer worked as a journalist, but he eventually joined the film industry as a writer of title cards for silent films and subsequently of screenplays. He was initially hired by Nordisk Film in 1913.
His first attempts at film direction had limited success, and he left Denmark to work in the French film industry. While living in France he met Jean Cocteau, Jean Hugo and other members of the French artistic scene and in 1928 he made his first classic film, The passion of Joan of Ark. Working from the transcripts of Joan's trial, he created a masterpiece of emotion that drew equally on realism and expressionism. Dreyer used private finance from Baron Nicolas de Gunzburg to make his next film as the Danish film industry was in financial ruin. Vampyr (1932) is a surreal meditation on fear. Logic gave way to mood and atmosphere in this story of a man protecting two sisters from a vampire. The movie contains many indelible images, such as the hero, played by de Gunzburg (under the screen name Julian West), dreaming of his own burial and the animal blood lust on the face of one of the sisters as she suffers under the vampire's spell. The film was shot mostly silent but with sparse, cryptic dialogue in three separate versions – English, French and German.
Carl Theodor Dreyer
Life
Dreyer was born in Copenhagen, Denmark. His birth mother was an unmarried maid named Josefine Nilsson, and he was put up for adoption by his birth father, Jens Torp, a married farmer living in Sweden. The first 2 years in his life he lived in orphanages until his adoption by a typographer named Carl Theodor Dreyer, and his wife, Inger Marie (née Olsen). He was named after his adoptive father, but in the Danish language there is no "Senior" or "Junior" added to names to distinguish them from each other.
Career
As a young man, Dreyer worked as a journalist, but he eventually joined the film industry as a writer of title cards for silent films and subsequently of screenplays. He was initially hired by Nordisk Film in 1913.
His first attempts at film direction had limited success, and he left Denmark to work in the French film industry. While living in France he met Jean Cocteau, Jean Hugo and other members of the French artistic scene and in 1928 he made his first classic film, The passion of Joan of Ark. Working from the transcripts of Joan's trial, he created a masterpiece of emotion that drew equally on realism and expressionism. Dreyer used private finance from Baron Nicolas de Gunzburg to make his next film as the Danish film industry was in financial ruin. Vampyr (1932) is a surreal meditation on fear. Logic gave way to mood and atmosphere in this story of a man protecting two sisters from a vampire. The movie contains many indelible images, such as the hero, played by de Gunzburg (under the screen name Julian West), dreaming of his own burial and the animal blood lust on the face of one of the sisters as she suffers under the vampire's spell. The film was shot mostly silent but with sparse, cryptic dialogue in three separate versions – English, French and German.
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